Policies and Procedures

These Policies and Procedures govern the eligibility, submission, judging, nomination, and award processes for the ATAC Globe Awards. These Policies and Procedures are intended to supplement, and not replace or supersede, the ATAC Bylaws.

I. Purpose

The Alamo Theater Arts Council (“ATAC”) Globe Awards recognize and celebrate excellence in local theatrical performance, direction, design, production, writing, music, choreography, and related theatrical achievement.

These Policies and Procedures govern the eligibility, submission, judging, nomination, and award processes for the ATAC Globe Awards. These Policies and Procedures are intended to supplement, and not replace or supersede, the ATAC Bylaws.

In the event of a conflict between these Policies and Procedures and the ATAC Bylaws, the Bylaws shall control.

II. Administrative Authority

The Board of Directors has final authority over the ATAC Globe Awards, including the adoption, amendment, interpretation, and enforcement of these Policies and Procedures.

The Judging Affairs Committee shall administer the judging process, including judge recruitment, judge training, judge assignment, ballot procedures, tabulation procedures, judge communications, and production eligibility review, subject to oversight and final approval by the Board of Directors.

The Vice President of Judging Affairs shall serve as the primary point of contact for judges, theater liaisons, and producing theater companies regarding judging questions, eligibility questions, ballot issues, and procedural concerns.

III. Award Season

The ATAC Globe Awards season shall run annually from September 1 through August 31, unless otherwise approved by the Board of Directors.

A production shall be considered part of the award season in which most of its performances land in. If performances are equally in both seasons, the board will decide which season it falls into.

Productions opening before September 1 shall belong to the prior award season. Productions opening after August 31 shall belong to the following award season.

IV. Definitions

1. ATAC

“ATAC” means the Alamo Theater Arts Council.

2. Board

“Board” means the ATAC Board of Directors.

3. Judging Affairs Committee

“Judging Affairs Committee” means the standing committee responsible for judge recruitment, judge recommendation, judge training, judge assignment, ballot administration, tabulation, and related judging procedures.

4. Producing Theater Company

A “Producing Theater Company” is the organization, company, collective, institution, or producing entity that is primarily responsible for mounting, financing, administering, presenting, and submitting a theatrical production for ATAC consideration. A rental venue, presenting venue, fiscal sponsor, or host facility shall not be considered the Producing Theater Company unless it also has primary artistic and administrative responsibility for the production.

5. Bexar County-Based Producing Theater Company

A “Bexar County-Based Producing Theater Company” is a producing theater company whose principal producing operations are based in Bexar County, Texas.

Factors include:

  • Primary administrative location;
  • Regular public programming within Bexar County;
  • Principal rehearsal, production, or performance activity within Bexar County;
  • Organizational identity as a Bexar County or San Antonio-area theater company;
  • Primary service to Bexar County audiences.

A mailing address alone shall not be conclusive.

6. Eligible Production

An “Eligible Production” is a qualifying theatrical production publicly performed within Bexar County, Texas, and submitted by a Bexar County-Based Producing Theater Company, unless otherwise provided in these Policies and Procedures for specific categories, student awards, special awards, or Board-approved exceptions.

7. Public Performance

A “Public Performance” is a performance open to the general public through paid admission, complimentary admission, reservation, invitation available to the public, or other generally accessible means.

Private performances, invited dress rehearsals, previews, school-only performances, adjudication-only performances, donor-only performances, or closed performances shall not count toward the required performance minimum unless expressly approved by the Judging Affairs Committee or Board.

8. South and Central Texas Region

“South and Central Texas” means the geographic region identified by ATAC for artist residency and special eligibility purposes. ATAC may maintain an official map identifying the South and Central Texas region. The map shall be attached to these Policies and Procedures as Appendix A. The written eligibility requirements shall control over the map in the event of ambiguity.

9. Resident / Residing

For purposes of artist eligibility, “resident” or “residing” means that the individual maintains a primary or regular residence within the required geographic area at the time of the eligible production. Temporary absence for school, touring work, military service, family care, or comparable circumstances may be reviewed by the Judging Affairs Committee.

10. College or University Student

A “College or University Student” is a student enrolled in an accredited college, university, community college, conservatory, or comparable post-secondary theater-training program during the relevant award season. Student eligibility may be based on enrollment rather than permanent residence when the award category is a student-specific or college-specific category.

11. Valid Ballot

A “Valid Ballot” is a completed ballot submitted by an assigned judge in accordance with ATAC procedures, deadlines, conflict-of-interest rules, and scoring requirements. A ballot marked “Did Not Judge” for a production or category shall not count as a valid scored ballot for that production or category.

12. Did Not Judge

“Did Not Judge” means the judge did not evaluate the production, nominee, role, category, design element, or artistic element. “Did Not Judge” is not a score and shall not be included in any average, ranking, threshold, nomination calculation, or award calculation.

13. Revival, Remount, Restaging, or Reprisal

A “Revival,” “Remount,” “Restaging,” or “Reprisal” means a subsequent production of a previously produced theatrical work, role, staging, design, direction, choreography, music direction, score, script, or other artistic element that is substantially similar to a prior ATAC-considered or ATAC-awarded production or element.

V. General Production Eligibility

To be eligible for ATAC Globe Awards consideration, a production must satisfy all of the following requirements:

  1. The production must be publicly performed within Bexar County, Texas.
  2. The production must be submitted by a Bexar County-Based Producing Theater Company.
  3. The production must open during the applicable ATAC award season.
  4. The production must be a theatrical production, including but not limited to a drama, comedy, musical, new work, adapted work, or qualifying one-act production.
  5. The production must meet the minimum performance requirement stated in these Policies and Procedures.
  6. The producing theater company must submit all required production information by the applicable deadline.
  7. The producing theater company must make reasonable arrangements for assigned ATAC judges to attend the production.
  8. The production must not be excluded by any ineligibility rule stated in these Policies and Procedures.

VI. Minimum Performance Requirement

To qualify for ATAC Globe Awards consideration, a production must run for at least six public performances.

The Judging Affairs Committee may refer unusual scheduling circumstances to the Board for review. Such circumstances may include, but are not limited to, festival productions, repertory schedules, compressed runs, venue emergencies, weather cancellations, public-safety closures, or other “force majeure” circumstances outside the producing theater company’s control.

VII. Eligible Types of Productions

The following types of productions may be eligible for ATAC consideration if all other eligibility requirements are met:

  1. Full-length plays;
  2. Full-length musicals;
  3. Full-length comedies;
  4. Full-length dramas;
  5. Original works;
  6. Adapted works;
  7. Revivals, remounts, or restagings, subject to the limitations stated in these Policies and Procedures;
  8. One-act plays or musicals with a running time of more than an hour;
  9. Special productions approved by the Board before the start of the season or by specific Board action.

VIII. Ineligible Productions

The following productions are not eligible for general ATAC Globe Awards consideration unless expressly approved for a special category by the Board:

  1. High school productions;
  2. Productions primarily performed by children or teenagers, where more than fifty percent of the cast consists of children or teenagers;
  3. Improvisational performances;
  4. Variety shows, cabarets, concerts, revues, or staged readings that do not constitute a theatrical production;
  5. Private performances not open to the public;
  6. School-only performances not open to the public;
  7. Productions outside Bexar County, except for student, college, or special categories expressly approved by the Board;
  8. Productions submitted by a producing theater company that does not meet ATAC eligibility requirements;
  9. Productions that fail to meet the minimum performance requirement;
  10. Productions that fail to provide reasonable access for assigned judges.

Individual children or teenagers appearing in an otherwise eligible production may be considered for awards if the production itself is eligible.

IX. Individual Artist Eligibility

Actors, directors, designers, choreographers, music directors, fight choreographers, intimacy directors, writers, composers, lyricists, and other credited artists may be eligible for consideration if their work is part of an Eligible Production.

Unless otherwise provided in these Policies and Procedures, individual artists shall reside in South or Central Texas at the time of the production.

The producing theater company is responsible for identifying all eligible participants when submitting the production for consideration.

The Judging Affairs Committee may request clarification or documentation regarding an individual artist’s eligibility and can remove an individual artist if found ineligible by committee vote.

X. Special Eligibility for Playwrights, Composers, Lyricists, and Original Material Creators

ATAC recognizes that new theatrical work may involve writers, composers, lyricists, book writers, adaptors, or other creators whose residence is outside Bexar County or outside South and Central Texas.

A playwright, book writer, lyricist, composer, adaptor, or creator of original theatrical material is not required to reside in Bexar County to be eligible for consideration in an original work, adapted work, new work, original script, adapted script, original score, or similar writing/composition category, provided that the work is presented as part of an otherwise Eligible Production, and approved by the board or Judging Affairs committee.

For writer and composer eligibility, the qualifying connection to ATAC shall be the eligible Bexar County production of the work, not the writer’s or composer’s place of residence, and be approved by the board or Judging Affairs committee.

This exception applies only to writer, composer, lyricist, adaptor, and original-material categories. It does not make a non-Bexar County production eligible for general ATAC Globe Awards consideration.

XI. Special Eligibility for College and University Students

ATAC may recognize college and university students through either general production eligibility or student-specific award categories.

1. Students in Eligible Productions

A college or university student may be eligible for consideration if the student’s work is part of an otherwise Eligible Production, regardless of whether the student resides or attends school outside Bexar County.

2. Student-Specific or College-Specific Awards

ATAC may establish student-specific or college-specific award categories recognizing work by students enrolled in accredited colleges, universities, community colleges, conservatories, or comparable theater-training programs within South or Central Texas.

Such categories may include productions, performances, designs, direction, choreography, writing, composition, stage management, technical work, or other student theatrical achievement outside Bexar County only if the category is expressly approved by the Board before the start of the award season.

Student-specific or college-specific categories shall be governed by the eligibility requirements adopted for those categories.

3. No Expansion of General Production Eligibility

Nothing in this section shall make a production eligible for general ATAC Globe Awards consideration unless the production independently satisfies ATAC’s general production eligibility requirements.

XII. Award Categories

ATAC may present competitive awards in categories approved by the Board.

Award categories may include, but are not limited to:

  1. Production of a Musical;
  2. Production of a Drama;
  3. Production of a Comedy;
  4. Direction of a Musical;
  5. Direction of a Drama;
  6. Direction of a Comedy;
  7. Lead Performance in a Musical;
  8. Lead Performance in a Drama;
  9. Lead Performance in a Comedy;
  10. Supporting Performance in a Musical;
  11. Supporting Performance in a Drama;
  12. Supporting Performance in a Comedy;
  13. Scenic Design;
  14. Lighting Design;
  15. Costume Design;
  16. Sound Design;
  17. Music Direction;
  18. Choreography;
  19. Fight Choreography;
  20. Intimacy Direction or Coordination;
  21. Original Script;
  22. Adapted Script;
  23. Original Score;
  24. Original Song;
  25. Special Achievement;
  26. Student Achievement;
  27. College Production or College Student categories, if approved by the Board.

The Board may add, remove, combine, suspend, or rename categories before the start of an award season.

A competitive category should not be added retroactively after the start of a season unless the Board determines that extraordinary circumstances justify the addition and that the addition can be applied fairly to all eligible productions in that season.

Special awards, honorary awards, service awards, memorial awards, or non-competitive recognitions may be created or presented by the Board outside the competitive judging process.

XIII. Category Definitions

1. Original Script

An Original Script is a theatrical script, book, or dramatic text substantially created by the credited writer or writers and presented in an Eligible Production.

The work may be a world premiere, regional premiere, local premiere, or new work, depending on the specific category rules adopted by ATAC.

The submitting producing theater company must identify the work as original at the time of submission and provide supporting documentation if requested.

2. Adapted Script

An Adapted Script is a theatrical script, book, or dramatic text substantially adapted from pre-existing material, including but not limited to a novel, short story, film, poem, public-domain work, historical material, devised source material, prior dramatic text, or other source.

The submitting producing theater company must identify the source material and the credited adaptor or adaptors at the time of submission.

3. Original Score

An Original Score is music substantially created for a specific theatrical production and used as part of the production.

Original Score may include songs, underscoring, incidental music, transition music, thematic music, or other composed musical material.

Pre-existing music, stock music, licensed music, public-domain music, or music assembled as sound design shall not qualify as Original Score unless it includes substantial original composition by the credited composer.

4. Music Direction

Music Direction recognizes the artistic leadership, preparation, interpretation, rehearsal, and execution of the musical elements of a production.

In a musical, Music Direction may include vocal direction, instrumental direction, conducting, ensemble preparation, arrangement oversight, tempo, style, balance, musical interpretation, and coordination between performers and musicians.

In a play, Music Direction may be considered only when the production contains substantial musical performance, vocal performance, instrumental performance, or integrated music requiring artistic direction beyond ordinary sound playback.

5. Choreography

Choreography recognizes the creation, staging, and execution of dance or choreographed movement.

In a musical, Choreography may include dance, musical staging, ensemble movement, movement transitions, and choreographed storytelling.

In a play, Choreography may be considered only when the production contains substantial choreographed movement, dance, stylized movement, ritualized movement, or movement-based storytelling beyond ordinary blocking.

6. Fight Choreography

Fight Choreography recognizes the creation and staging of theatrical violence, combat, or physical conflict in a manner that supports the production’s storytelling, style, safety, and performance execution.

Fight Choreography may include hand-to-hand combat, weapon combat, falls, slaps, shoves, grappling, stylized violence, or other staged physical conflict.

7. Special Achievement

Special Achievement may recognize theatrical work that does not fit clearly within an existing competitive category or that represents an exceptional contribution to a production, season, organization, or the local theater community.

Special Achievement may be competitive or non-competitive as determined by the Board.

XIV. Submission Requirements

A producing theater company seeking ATAC consideration must submit the required production information by the deadline established by the Judging Affairs Committee.

Required information may include:

  1. Production title;
  2. Producing theater company;
  3. Venue;
  4. Opening date;
  5. Closing date;
  6. Full performance schedule;
  7. Ticketing information;
  8. Running time;
  9. Category submission information;
  10. Cast list;
  11. Creative team list;
  12. Production staff list;
  13. Identification of eligible participants;
  14. Identification of original, adapted, student, or special-category eligibility;
  15. Identification of prior productions, revivals, remounts, restagings, reprisals, or prior ATAC awards involving the same production, role, design, direction, choreography, score, script, or other artistic element;
  16. Any additional information requested by the Judging Affairs Committee.

The producing theater company is responsible for the accuracy and completeness of the submission.

Failure to disclose relevant eligibility information may result in disqualification of the production, category, nominee, or artistic element.

XV. Theater Liaison Responsibilities

Each producing theater company should designate a theater liaison for ATAC communication.

The theater liaison is responsible for:

  1. Submitting production information;
  2. Identifying eligible participants;
  3. Identifying applicable categories;
  4. Communicating performance schedules and ticketing procedures;
  5. Notifying ATAC of schedule changes, cancellations, extensions, cast changes, or major production changes;
  6. Responding to eligibility questions;
  7. Providing documentation when requested;
  8. Coordinating judge access in accordance with ATAC procedures.

XVI. Revivals, Remounts, Restagings, and Reprisals

ATAC recognizes that theaters may revive, remount, transfer, restage, or revisit prior productions. Such productions may remain eligible for consideration; however, previously awarded work shall not receive duplicate competitive recognition for substantially the same artistic contribution.

1. Prior Award-Winning Production Elements

If a production element previously received an ATAC Globe Award, that substantially same element shall not be eligible to win again in a subsequent revival, remount, restaging, transfer, or continuation.

This may include, but is not limited to:

  1. Direction;
  2. Choreography;
  3. Music Direction;
  4. Fight Choreography;
  5. Intimacy Direction;
  6. Scenic Design;
  7. Lighting Design;
  8. Costume Design;
  9. Sound Design;
  10. Original Score;
  11. Original Script;
  12. Adapted Script;
  13. Other credited artistic elements.

2. Performer Reprising a Previously Awarded Role

A performer who previously received an ATAC Globe Award for a specific role shall not be eligible to win again for substantially the same role in a revival, remount, restaging, transfer, or subsequent production of the same work.

This rule applies whether the role is reprised at the same theater or at a different Bexar County theater.

3. Material Change Review

A previously produced work, role, design, direction, choreography, score, script, or other artistic element may be considered newly eligible if the Judging Affairs Committee determines that the submitted work is materially different from the prior ATAC-awarded work.

Factors may include:

  1. A different director;
  2. A substantially different cast;
  3. A substantially different design team;
  4. New choreography;
  5. New music direction;
  6. New design concepts;
  7. Substantially revised script, score, staging, or production concept;
  8. A meaningful lapse of time between productions;
  9. Documentation showing that the submitted work is not substantially the same as the prior awarded work.

4. Disclosure Requirement

The producing theater company must disclose known prior ATAC recognition involving the same production, role, design, direction, choreography, music direction, score, script, or other artistic element at the time of submission.

Failure to disclose prior recognition may result in disqualification.

5. Final Determination

The Judging Affairs Committee shall review revival, remount, restaging, and reprisal questions and may make a recommendation to the Board.

The Board has final authority to determine eligibility.

XVII. Judge Selection

Judges shall be recruited and reviewed annually.

The Judging Affairs Committee shall annually recruit, review, and recommend a slate of judge candidates to the Board of Directors.

The final judge roster shall be approved by vote of the Board of Directors once a year.

Judges may include theater practitioners, educators, critics, artists, designers, directors, performers, administrators, patrons, and other qualified individuals with appropriate knowledge, experience, training, or commitment to theatrical evaluation.

ATAC may require judges to complete training before receiving assignments.

XVIII. Judge Expectations

Judges are expected to:

  1. Attend assigned productions;
  2. Submit ballots by the established deadline;
  3. Evaluate productions fairly and independently;
  4. Follow ATAC scoring guidelines;
  5. Avoid conflicts of interest;
  6. Maintain confidentiality;
  7. Communicate promptly with the Vice President of Judging Affairs or Judging Affairs Committee regarding assignment conflicts, attendance issues, or ballot problems;
  8. Attend required training;
  9. Complete the minimum number of valid ballots required for continued judge eligibility.

A judge must complete at least ten valid production ballots during each award season to remain eligible for consideration as a judge in future seasons, unless excused by the Judging Affairs Committee for good cause.

XIX. Conflicts of Interest

A judge shall not evaluate a production, category, nominee, or artistic element if the judge has a conflict of interest that could reasonably affect impartiality.

Conflicts may include, but are not limited to:

  1. Participation in the production;
  2. Employment by the producing theater company;
  3. Current Board or staff service with the producing theater company;
  4. Financial interest in the production or theater company;
  5. Close family relationship with a nominee or major creative participant;
  6. Close personal relationship that could reasonably affect impartiality;
  7. Professional relationship that could reasonably affect impartiality;
  8. Any circumstance that creates the appearance of unfairness.

A judge must disclose potential conflicts as soon as possible.

The Judging Affairs Committee shall determine whether the judge may evaluate the production, must mark “Did Not Judge” for certain categories, or must be removed from the assignment.

XX. Judge Assignment and Attendance

The Judging Affairs Committee shall assign judges to eligible productions according to procedures approved by ATAC.

ATAC will encourage judges to attend every eligible production to satisfy the minimum valid ballot requirement.

Producing theater companies shall make reasonable arrangements for assigned judges to attend the production.

XXI. Minimum Ballots Required for Production Qualification

A production must receive at least eight valid scored ballots to qualify for nomination and award consideration.

If fewer than eight valid scored ballots are received due to circumstances outside the producing theater company’s control, the Judging Affairs Committee may refer the matter to the Board for review.

The Board may determine whether the production or any element of a production remains eligible, whether additional judging is possible, whether the production should be excluded, or whether another equitable remedy is appropriate.

A production shall not be penalized solely because of ATAC administrative failure, judge nonattendance, or other circumstances beyond the producing theater company’s control, provided the producing theater company complied with all submission and access requirements.

XXII. Ballot Procedures

ATAC may use an online ballot system or other Board-approved ballot process.

Ballots shall be submitted according to the deadlines and procedures established by the Judging Affairs Committee.

A ballot may include scoring fields, category-specific evaluations, comments, eligibility confirmations, “Did Not Judge” selections, or other information required by ATAC.

A judge may mark “Did Not Judge” for a category, role, nominee, design element, or production element the judge did not observe, could not fairly evaluate, or is conflicted from evaluating.

“Did Not Judge” shall not be counted as a score.

Incomplete, late, conflicted, duplicate, or procedurally defective ballots may be excluded by the Judging Affairs Committee.

XXIII. Nominations

Nominations shall be determined through the ballot tabulation process approved by the Board.

The Judging Affairs Committee shall receive, process, and maintain secure custody of ballots and resulting tabulation data.

The number of nominees per category may be determined by Board policy, category size, scoring results, ties, minimum score thresholds, or other approved tabulation rules.

ATAC may choose not to announce nominees in a category if the category does not have sufficient eligible entries, valid ballots, or qualifying scores.

The Board may combine, suspend, or withhold a category if necessary to preserve fairness or award integrity.

XXIV. Award Determination

Award recipients shall be determined through the approved tabulation process.

Ballots, scores, rankings, judge comments, and tabulation data shall remain confidential unless the Board authorizes release.

The Board may review unusual results, eligibility concerns, conflicts of interest, tabulation irregularities, or procedural issues before finalizing nominees or recipients.

The Board has final authority to certify award nominees and recipients.

XXV. Category Additions, Suspensions, and Special Awards

The Board may approve new categories, including but not limited to Fight Choreography, Projection/Media Design, College Student Awards, Student Achievement Awards, or Special Achievement Awards.

Competitive categories should be approved before the start of the award season.

If ATAC wishes to recognize work that falls outside an existing category, the Board may create a non-competitive special award, honorary award, or special recognition.

Student, college, special, or pilot categories may have eligibility requirements different from general Globe Awards eligibility, provided those requirements are adopted by the Board and communicated before implementation.

XXVI. Exceptions and Appeals

A producing theater company, artist, judge, or ATAC committee may request review of an eligibility or procedural issue.

Requests for review must be submitted in writing to the Vice President of Judging Affairs or designated ATAC contact.

The Judging Affairs Committee may review the issue and make a recommendation to the Board.

The Board has final authority to grant exceptions, deny exceptions, resolve appeals, interpret these Policies and Procedures, and determine final eligibility.

Exceptions should be granted only when necessary to preserve fairness, address unusual circumstances, or further ATAC’s mission without undermining the integrity of the awards process.

XXVII. Confidentiality

Judges, committee members, Board members, tabulators, and any other persons with access to ballots, scores, comments, deliberations, or confidential eligibility information shall maintain confidentiality.

Judge identities, assignments, ballots, comments, scores, rankings, and tabulation data shall not be disclosed except as authorized by the Board.

XXVIII. Records

The Judging Affairs Committee shall maintain records of production submissions, judge assignments, ballot submissions, eligibility determinations, nomination results, award results, and related procedural records according to ATAC’s recordkeeping practices.

Confidential judging materials shall be secured and accessed only by authorized persons.

XXIX. Supersession of Prior Policies, Practices, and Board Actions

These Policies and Procedures supersede all prior ATAC policies, procedures, guidelines, customs, informal practices, committee interpretations, and individual Board actions concerning Globe Awards eligibility, judging, nominations, award categories, tabulation, or award administration, except where expressly preserved by the Board of Directors.

Prior awards, nominations, recognitions, eligibility determinations, exceptions, waivers, or Board actions shall remain part of ATAC’s historical record and shall not be invalidated solely by the adoption of these Policies and Procedures.

However, prior awards, nominations, eligibility decisions, exceptions, waivers, practices, or Board actions shall not create binding precedent for future award seasons unless expressly adopted into these Policies and Procedures or separately approved by the Board of Directors.

Beginning with the effective date of these Policies and Procedures, all Globe Awards eligibility, judging, nomination, and award determinations shall be governed by this document, as amended from time to time by the Board of Directors.

Nothing in this section shall limit the Board of Directors’ authority to correct clerical errors, address fraud or material misrepresentation, resolve recordkeeping issues, or take other action necessary to protect the integrity of ATAC’s awards and historical records.

XXX. Amendments

These Policies and Procedures may be amended by the Board of Directors.

Amendments affecting production eligibility, category eligibility, judging procedures, nomination procedures, or award procedures should be adopted before the beginning of an award season whenever practicable.

The Board may adopt mid-season amendments only when necessary to address an unforeseen issue, correct ambiguity, maintain fairness, or protect the integrity of the awards process.

Unless otherwise stated by the Board, amendments shall apply prospectively from the date of adoption and shall not reopen, revoke, or alter prior awards, nominations, or eligibility determinations.

XXXI. Appendices

The following appendices may be attached to and incorporated into these Policies and Procedures:

AppendixTitle
Appendix ASouth and Central Texas Eligibility Map
Appendix BApproved Award Categories
Appendix CJudge Conflict-of-Interest Form
Appendix DProduction Submission Form
Appendix ETheater Liaison Checklist
Appendix FStudent and College Award Eligibility Rules
Appendix GRevival, Remount, Restaging, and Reprisal Disclosure Form
Appendix HBallot and Scoring Guidelines
Appendix ICategory Definitions and Examples
Appendix JBoard-Approved Exceptions for the Current Season

Appendix Placeholders

The following appendix placeholders are included for Board completion and attachment. They may be replaced with final approved forms, maps, category lists, and scoring guidelines.

Appendix A: South and Central Texas Eligibility Map

[To be completed, attached, or approved by the Board of Directors.]

Appendix B: Approved Award Categories

[To be completed, attached, or approved by the Board of Directors.]